From sporting to hardware pencils, figural, regal and fruit pencils, the collection epitomises the very best of whimsical British design with the majority created by English manufacturer Sampson Mordan, in addition to examples from other noted makers including Tiffany and Asprey. Ken is a regular exhibitor and has decided to take this opportunity to show his collection to our many thousands of enthusiastic collectors. From the budding fisherman who needs an appropriate pencil to note down the weights of his catch to the adventurer who needs a pencil that includes a compass to help him discover hidden corners of the globe, the KB Collection has a unique pencil for every endeavour — from sporting pencils to hardware pencils via figural pencils, regal pencils and fruit pencils. Each individual pencil, while being exquisite on their own, forms an integral part of this collection; the most humble of pencils is presented next to the most rare and most ornately decorated. The importance of the collection as a whole is paramount. I was fortunate enough to buy an extensive collection of pencils which has helped consolidate the KB Collection into what it is today and has formed the basis for the book which accompanies it.
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Browse Categories With Pictures: William’s artistry and designs were quickly recognized for their quality and innovation. His first important design was the Aurelian Ware, part transfer and part hand painted. Very shortly thereafter, around the turn of the century, he developed his famous Florian Ware, with heavy slip, done in mostly blue and white.
Since the early s there has been a succession of designs, most of them very characteristic of the company. The s were good years for Moorcroft, partnering with a well known London store Liberty to offer its unique flambe glaze pottery to the eager public.
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This version of Burslem Pottery made decorated earthenware for domestic use. However, by Burslem Pottery had simply faded away. The art, which Burslem Pottery produces today originates from the time that Burslem Pottery was a Moorcroft company and the processes, passed on to it from that company gave it the ability to create defined design images in stoneware.
The quirky, sculptured birds, reptiles and animals and sgraffito line work art. The business is now owned by Tracy Bentley who continues to produce fine quality ceramics from deep in the heart of the Staffordshire Potteries, Tracy and her small team continues the tradition of making unique stoneware by hand from start to finish, from a bag of clay, all the way through to the finished product. A Martin Brothers inspired grotesque bird or animal,or a unique designed vase, lamp or tile.
Tracy honed her craft through many years spent painting ceramics for Cobridge Stoneware and Moorcroft,as well as some time with Country Artists and Border Fine Arts. Her marks are ‘TB’ and ‘TAB’Tracy was contracted from Moorcroft to work with Jerry at Burslem pottery, though eventually she moved to work there full time,finally plumping to buy the company when the oppertunity arose in Tracy works with Steve Shaw has spent more time working in pottery than he cares to remember!
Steve excelled at making the birds and animals, sculpted and designed by Andrew Hull and Rob Tabbanor. Steve also produces his own designs for Burslem Pottery ware. Staffordshire Potteries The potteries have long been recognised as the spiritual home of ceramics across the world for over years.
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This website was designed to help quell my obsession for antique pottery. I’m most interested in old American Art pottery so, that’s what the site is mostly about. If you would like to support this site, please visit my other site where you can Buy Art Pottery and learn about manufactures that are still in business. If you have any suggestions or problems with these sites functionality please let me know by posting it on the community forum or by filling out the contact form.
Moorcroft pottery in Newcastle under-lyme, was originally founded as a studio in within a large ceramic company, James Macintyre & Co. Moorcroft pottery soon made its mark on the world.
Your guide to antique pottery marks, porcelain marks and china marks Moorcroft Marks A Guide to Moorcroft Marks and identifying dates for Moorcroft Pottery. The moorcroft pottery has mainly remained in the hands of one family since its creation and Moorcroft mark changes have been quite few. The Moorcroft marks remained steady until the modern owners instigated a system of dating and then again until modern Moorcroft design studio artists, where allowed to mark the Moorcroft pottery they personally designed or created.
Modern Moorcroft marks continue to become more elaborate and to provide more and more information. Moorcroft collectors should be aware of the Silver Stripe that sometimes appears and is almost always through the WM monogram. The Moorcroft silver stripe denotes a second quality or imperfect piece that has failed to pass the strict quality control that Moorcroft demands.
These pieces are only ever sold at discounted prices in the Moorcroft factory shop.
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As a reaction to mass production, ‘art pottery’ enjoyed wide popularity at the end of the 19th century. Among the most successful and enduring was the Moorcroft pottery in Cobridge, Staffordshire. Unusual forms in otherwise commonly encountered patterns will command a premium. Within a year he was in charge of the company’s ornamental ware department and, by , the Art Nouveau-influenced Florian Ware that perfected the technique of trailing slip known as tube-lining had won him a gold medal at the St Louis International Exhibition.
Since , when the Moorcroft family bought out Liberty, the pottery has had a chequered ownership history but has continued to produce wares in the distinctive tube-lined style. Sally Tuffin now of Dennis Chinaworks produced designs for Moorcroft between and while in , year-old Rachel Bishop joined Moorcroft as only its fourth designer in almost a century.
Moorcroft Marks & Dating Moorcroft Pottery Moorcroft Marks A Guide to Moorcroft Marks and identifying dates for Moorcroft Pottery. The moorcroft pottery has mainly remained in the hands of one family since its creation and Moorcroft mark changes have been quite few.
It appears to be in excellent condition from what I can see in the photos. I have enlarged the photos and cleared them to read the bottom easily. This is a marked authentic piece. Moorcraft pottery is famous for their glazes and he won many medals and honors throughout his lifetime. Moorcroft was given license to customize and sign each pot he designed, which generated incredible demand, but distracted consumers from other porcelain offerings of the company. Riding high from a gold medal win for his display of pieces at the Saint Louis International Exhibition in , Moorcroft set out to create breathtaking designs both rich in color and striking in sophistication.
Moorcroft pottery soon made its mark on the world. Designs came from year-old William Moorcroft who personalised each piece of pottery produced with his own signature or initials. William marched his workforce across Cobridge Park to a new factory in Sandbach Road where Moorcroft pottery is still made today.
Art pottery crazing occurs during pottery production when the clay body and glaze cool at different rates. Crazing is a very common condition with virtually all glazed art pottery. Normal crazing or crackling that cannot be seen at a few feet does not typically affect the value of most very high quality art pottery .
Leuchtenbhurg China Very pretty antique child’s cup with cute graphics of a boy and girl with two animals, a sheep and goose. Marked on underside “Leuchtenburg Germany” with a graphic of a castle turret. From the style and type, we believe this to be an antique piece minimally a vintage child’s cup , likely dating to the early ‘s. This was found out of a home. The multi-color graphics encircle about half the cup with the remainder left blank. The order on the cup shows the white sheep first, followed by the boy dressed in what may be a shepherd’s type outfit as he is carrying a curved shepherd’s staff and wearing a broad-rimmed hat, followed by a white goose, and ending with a girl in a bonnet and skirt carrying what looks like a plate or dish of bread or simple cake.
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If this item contains incorrect or inappropriate information please contact us here to flag it for review. We are constantly trying to “SPY” out treasures for you in our travels. Please come back often because you never know what we have “commandeered” to offer you! Okay, I think this is an unusual shape for Moorcroft.
A small Creamer in the Spring Flowers pattern with attractive flowers against a graduated green ed by William Moorcroft and dating to around
Pottery Barn Wholesale With the pottery barn wholesale and popularity of this craft, there are some dangerous materials that are a lot about Native American pottery, you are still making use of your hands. In the pottery barn wholesale for the pottery barn wholesale. It wll help you get a good heirloom to future generations especially if your local competitors do not have to be purchased.
I hope that you never knew existed. From rustic style pieces of pottery. Carving and engraving are also a shaping factor.
British Art Pottery & Porcelain
Burleigh Ware has long been associated with the Staffordshire town of Burslem. Burliegh Ware, today, is probably best known for its Art Deco period ceramics, with its brightly coloured pieces so popular in the s. One of the most recognisable pieces to be found are the yellow jugs, with animal and human shaped handles. These range from the well known Parrot, to the rare Guardsman. These jugs are very collectable today.
Others in that region are the Kingfisher, Dragons etc.
Moorcroft Pottery, Large William Moorcroft Vase. Large William Moorcoft vase in the pomegranate design. Signed and impressed marks to base dating this piece to c
Flint The creation of tools utilizing the natural environment is what distinguishes man from animal. What was once created using stone, wood, and bone has, over the centuries, evolved into metalworking and modern-day plastics. But it is the earliest tools, those carved from stone, which allowed mankind to conquer the natural environment and to prosper. Holding this flint arrowhead in our hand, delicately carved to a fine point thousands of years ago, we are holding the nascent breath of civilization.
Tools allowed mankind to utilize his natural setting to its fullest potential, to altar the surroundings to suite his needs, and to create his own collective habitats that would eventually evolve into great cities. An arrowhead head like this one, when tied securely to a wooden shaft, could have been used to fell a fleeing prey or to spear a fish. As well, the delicate serrated edge could be used to cut and prepare the meat for cooking. This stone arrowhead represents the innate human drive to altar the environment, to innovate, and to conquer.
It is in these earliest tools that we are able to witness the birth of civilization. From such tools, mankind learned to carve stones and rocks into new shapes and forms that suited the needs of the people evolving from arrowheads to temples.
Kya deLongchamps is intrigued by the technique and tale of Moorcroft Pottery. These early pieces start in the high hundreds in perfect condition THERE are some factories in ceramics that are relatively easy to identify, and in the case of Moorcroft Pottery, just a touch can tell you everything you need to know. Still in business from their original brick factory in Cobridge, Stoke-on-Trent re-imagining through some financial and creative upsets , this is not simply a tale of very old Moorcroft.
The quality of work by recent contributing female artists to their limited editions from the Moorcroft Design Studio est , including Sally Tuffin, and later Nicola Slaney is sensational.
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We also endeavor to help you find discount prices on Lladro collectibles. A Lladro figurine can be dated as well as authenticated by the marking or trademark logo on the underside of its base. A figurine lacking one of the following marks is quite likely to be a fake or a forgery. The exception to this rule would be the earliest figurines which were not marked – however these are quite rare.
The first Lladro trademark was impressed into the porcelain. This mark was used from approximately to The second Lladro logo was also impressed into the porcelain.